Various areas of photography

The strength of a formal image lies frequently in the relationship of the elements that compose it with the imaginary lines that divide it horizontally and vertically, in three equal parts. Those with close-up, medium distances and clearly discernible background are especially effective if these areas form thirds.

The intersection between two thirds horizontal and vertical is a good location for the center of interest. From here the view can travel the entire image following lines and curves or through secondary care centers.

Through lifestyle photographer Hong Kong, the student can express their emotions, ideas and feelings, observing their environment. The more complicated it is that we are observing, the more important it will be to determine a point of view and an angle that clarify the image and illustrate exactly what is intended.

Each time a photograph is taken, it is necessary to ask what is meant and analyze these intentions consciously instead of leaving them at the mercy of chance or intuition. For example, by tilting the camera down and making the shot from this point any inconvenient background disappears or the foreground is removed. Try a different angle. Be creative Crouch down and see the subject in a new way, take your time to find the best angle.

Decide if there are irrelevant, distracting, excludable or disguised elements, from another position. By testing several points of taking it is easy to realize that you can get to the bottom of the essence of the subject. Critical reflection on what is seen is a vital part of the exploration process.

On the other hand, it is easy to forget the importance of certain details when contextualising and establishing a scale of sizes in a photograph, which requires focusing on the viewer so as not to leave out anything important. Thus, the size of the subject will only be obvious if the image includes something of known size with which to compare it, as a person.

Black and white photography reveals the shapes, volumes and essential details of any subject by turning the complex game of lights and colors into shades of gray. The practice will allow to contemplate the subjects in terms of their tonal balance and the environment that they intend to create. A somber theme, for example, will ask for predominantly dark tones, while a delicate texture will go better with a low contrast.

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